The Hitman’s Wife’s Bodyguard

Take the leading actors from 2017’s The Hitman’s Bodyguard (Ryan Reynolds and Samuel L. Jackson), add Salma Hayek, Morgan Freeman and Antonio Banderas, and what have you got? Much less than you’d hope.

Hayek and Banderas have co-stared multiple times since Desperado in 1995, including voiceovers in 2011’s Puss ‘N BootsOnce Upon a Time in Mexico in 2003 and Oscar Nominated Pain and Glory in 2019. This film was a waste of their on-screen chemistry.


Ryan Reynolds has secured himself a one-man genre as a one-liner spewing action star, much like his character in the Deadpool franchise. He brings much of the humor to this film. Samuel L. Jackson is his usual F-bombing self, and Salma Hayek co-stars once again with her breasts. They are literally in a supporting role, commented on, fondled and used as weapons to lure bad guys. At age fifty-five she either has great genetics or they spent a fortune in makeup and post-production making her look much younger. It seemed she was competing with Jackson for most F-words, and I’d have to call it a draw.


There’s a ton of gunfire, explosions, car chases and fight scenes woven around a pretty ridiculous story with several subplots that add little to the whole. The reluctant trio set out to foil an angry Greek billionaire’s plot to destroy the EU’s power grid with a giant diamond encrusted Dremel tool and a USB drive full of viral computer code. By mid-film there are so many flavors of bad guys, mostly cliches, that it’s hard to recall how they all fit into the plot. This has all been done before, only better.


The Hitman’s Wife’s Bodyguard runs 1 hour, 40 minutes and is rated R.


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